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One hour of screen time later, amid the bloodshed, Yelchin's exhausted and harrowed band members ask each other the same question. ) answers are Simon & Garfunkel and Prince -- but, true to character, Yelchin still can’t get the words out.
He’s the emotional heart of this movie, whose fretful demeanor in earlier scenes (even as he posits antagonizing the crowd with a cover of ‘Nazi Punks F*ck Off’) almost suggests an unconscious knowledge of the nastiness to come.
It’s this quiet sadness that gives Like Crazy what is -- for me -- its best moment early on, wherein the couple’s first date moves with late-night tipsiness to the dorm room.
Anna promises to read some of her poetry on the condition that Jacob isn’t “allowed to laugh." Yelchin then either slurringly echoes "I'm not allowed to laugh" or "I won't laugh" -- it's difficult to hear, and even harder to verify, because this movie was improvised by the cast without a script.
A lesser actor would have delivered this line straight into Jones' face, but Yelchin instead marvels it almost entirely to himself, as kind of an address in the mirror: Whether it's actorly intuition on his part or just really good direction, there's something bittersweet about the way the moment captures this truth about human relationships -- that it's almost always what we can't say, or what we mutter when we know it won't be heard, that means the most.
horror comedy is different -- not least for its incongruous, antiseptic setting of the Vegas suburbs, a land of identikit curving dead ends and permanent dusk at the edge of the desert.
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Whenever guns (or phasers) were being fired and sets blown up, Yelchin's the guy you'd see and think, "Yes: if this were real life, that guy would be franchise was his best-known.What begins as a slight, universally recognizable story of youthful infatuation gradually morphs into something more complex: A long-distance relationship we follow over the years, charting how hopes and good intentions can become harder to cling to with time and distance.There's a lot to appreciate and actually enjoy in this film, including a small but highly significant role for a young Jennifer Lawrence.You always have the choice to experience our sites without personalized advertising based on your web browsing activity by visiting the DAA’s Consumer Choice page, the NAI's website, and/or the EU online choices page, from each of your browsers or devices.To avoid personalized advertising based on your mobile app activity, you can install the DAA’s App Choices app here.