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Weber reportedly took seriously what she believed to be the power of cinema, and her films, as such, focused on heavy subject matter.

But formally, too, Weber was a trailblazer: She is credited with one of the first-ever uses of split screen in cinema, in her 1913 short , the artist Ujicha once again incorporates his “gekimation” style of 2-D animation, employing cardboard dioramas reminiscent of a pre-digital world to deliver a wildly imaginative childhood adventure. It’s a story of friendship and parenthood no doubt, but one told through a grotesque lens.

If it’s a fantasy, it’s in the same family as A co-production of the Film Society of Lincoln Center and the Dance Films Association, this year’s festival — its namesake’s 46th — offers sixteen programs encompassing ambitious features and quirky shorts from seventeen countries.

Crisply directed by TV veteran Ivan Dixon, and edited by Michael Kahn, who would go on to be Spielberg’s cutter of forty years, is a superb example of having one’s cake and eating it, as it indulges the perspectives of the outsider and the insider as one.But formally, too, Weber was a trailblazer: She is credited with one of the first-ever uses of split screen in cinema, in her 1913 short (1916), which explores female empowerment via the drama of a young woman desperate to escape her abusive stepfather.This was Guy-Blaché’s project for William Randolph Hearst’s studio, and therefore a good deal more conservative than her other pictures, but it nonetheless crackles with a tremendous performance from gorgeous lead actress Doris Kenyon.Their latest album, A co-production of the Film Society of Lincoln Center and the Dance Films Association, this year’s festival — its namesake’s 46th — offers sixteen programs encompassing ambitious features and quirky shorts from seventeen countries.In addition to the programs at the giant Walter Reade Theater, free screenings and discussions take place in the FSLC’s Elinor Bunin Monroe Film Center Amphitheater across the street.

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